Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.   Related Paintings of Vittore Carpaccio :. | Meeting of the Betrothed Couple (detail) | Taufe der Unglaubigen durch Hl. Georg | Scenes from the Life of St Ursula (mk08) | The Holy Ursula dromas | Christ between Four Angels |
Related Artists:
Cornelis van Dalem
1535-1576 Dutch Cornelis van Dalem Location Flemish painter. He was the son of a well-to-do cloth merchant living in Antwerp, but of Dutch origin. Cornelis received a humanistic education. His father, who owned land in Tholen, as a vassal to the Counts of Holland and Zeeland, was dean of the chamber of rhetorics De Olijftak (The Olive Branch) in Antwerp in 1552-3. According to van Mander, Cornelis was himself learned in poetry and history and only painted as an amateur, not for a living. Documents in the Antwerp archives invariably refer to him as a merchant, never as a painter, which no doubt accounts for the small number of known paintings by him. He learnt to paint with an otherwise unknown artist, Jan Adriaensens, who had also taught his older brother Lodewijk van Dalem ( fl 1544-85). The latter was inscribed as a pupil in 1544-5 and became a master in the guild in 1553-4. Cornelis was himself inscribed a year after his brother, and he became a master in 1556, the same year he married Beatrix van Liedekercke, a member of an Antwerp patrician family. They lived in Antwerp until late 1565, when, apparently for religious reasons, they left for Breda, together with the artist mother, who had become a widow in 1561. In 1571 several local witnesses testified that van Dalem, who was then living in a small castle, De Ypelaar, in Bavel, near Breda, was strongly suspected of being a heretic. He was never seen in church and was said, on the contrary, to have often attended Protestant services and to have publicly expressed contempt for Papists.
SERODINE, Giovanni
Italian Baroque Era Painter, 1600-1630 Italian painter and stuccoist. His family moved from Ascona on Lake Maggiore to Rome, where his father is recorded in 1595. It is probable that Serodine was born there. His first work was probably done in association with his brother Giovanni Battista Serodine (1589/90-1630), a stuccoist active in Rome, where he carved a Virgin and Child (1614) for the fa?ade of S Francesca Romana, and in Ascona, where he restored the family home and decorated it with stucco (1620). The design and stucco decoration of the church of the Madonna della Fortuna on Monte Verit? (Ascona) are attributed to him, though it is probable that Giovanni (who is recorded in Ascona in 1620) collaborated in the work. The first of Giovanni's documented official commissions, however, was for the stucco decoration and apsidal paintings in the chuch of the Concezione at Spoleto, where he worked with Sante Ghezzi (Corradini; Toscano). These murals, painted in tempera and completed in July 1624, are sketchy and clumsily executed, quite distinct in their inferior quality and naive piety from the rest of Serodine's work. They are probably his first attempts at painting,
Pehr Horberg
was born January 31, 1746 in Virestad parish in Småland, Sweden and died January 24, 1816 in Risinge in Östergötland, Sweden, was a Swedish artist, painter and musician. In 1769 he married the maid Maria Eriksdotter and they had three sons. Pehr Hörberg birthplace Virestad is a small town and a village in Älmhult Municipality in Kronoberg County, in Småland, Sweden. It was formerly the central area of the old Virestad parish. The church in Virestad was built of stone 1799-1800 on the site of a former medieval church. Some of its treasures include a pulpit from the 1600s and an altarpiece by Pehr Hörberg. He died in Falla in Hällestad Bergslag, where he owned 1/4 of the homestead, and part of the village Olstorp, in Risinge parish, where he also owned 1/4 of the homestead. Both the fourth in Falla in Hällestad and the fourth in Olstorp in Risinge were mining districts estates, located in Finspång Municipality in Östergötland County. Hörberg got his "huts in an aiding position", so to his own satisfaction that he 25 years later wrote about Olstorp and the farm in Falla, that he had later acquired, that the estates were very importat for him.